Suzy Thompson has an unusually deep mastery of the whole gamut of Southern old-time music, from prewar acoustic blues to Louisiana Cajun-Creole to old-time fiddle tunes, especially the kind that have a ragtime or blues feel. In 2025, she has released a new album, "Suzy Sings Siebel" in which she displays her powerful skills as a song interpreter, with ten songs by the great 1970s songwriter Paul Siebel. In addition to her rhythm-driven fiddling, she is a powerful blues singer, influenced by Memphis Minnie and Bessie Smith, and a highly respected blues guitarist. In 2003, after thirty years as a working musician, Suzy Thompson released her first solo CD, “No Mockingbird” which features blues songs (including the title track, which has been described as “Memphis Minnie on acid”) and oldtime fiddle rags. Suzy is backed on the album by an all-star cast including Maria Muldaur, Fritz Richmond, Geoff Muldaur, and Mike Seeger. Her followup CD, "Stop & Listen", released by Arhoolie Records in 2005, is a live concert recording with Del Rey, Eric Thompson, and the Thompson String Ticklers.Over the past three decades, Suzy has been a leading force in many influential roots music groups, including the California Cajun Orchestra (two award-winning CDs on the Arhoolie label), the Blue Flame String Band (with Kate Brislin and Alan Senauke), Klezmorim (who started the klezmer music revival in the 1970’s), the all-woman Any Old Time String Band (featured on the Grammy-winning Arhoolie box set), and most recently, the Bluegrass Intentions (with banjo ace Bill Evans.) She has also worked with Darol Anger, Laurie Lewis, Beausoleil, Peter Rowan, Maria Muldaur, Jody Stecher, Del Rey, Geoff Muldaur, Alice Gerrard, D.L. Menard, Jane Voss, Rinde Eckert, the Savoy-Doucet Cajun Band, Sukay, and Frankie Armstrong, among others.
Suzy currently records and performs in a duet with her longtime musical partner, reknowned flatpicker Eric Thompson, with Thompsonia (Suzy, Eric and Allegra Thompson), with the Aux Cajunals (a Cajun band), in an occasional duet with resonator guitar goddess Del Rey, and with Eric in the Todalo Shakers. She often collaborates with other musicians including Mary Flower; Jim Kweskin; Craig Ventresco and Meredith Axelrod; and Geoff Muldaur.
Suzy discovered the music of Bessie Smith, Sippie Wallace, Memphis Minnie, Victoria Spivey, and other classic blues moaners in the winter of 1975, when a friend of a friend of a friend stored his LP collection in her room. She began learning and performing some of this early blues material, accompanying herself on the guitar. The next year, she formed the Any Old Time String Band, an all-woman quintet with a repertoire that included classic blues, oldtime country music, and Cajun music.
In 1976, Suzy's life was changed when she saw the Balfa Brothers perform their traditional Cajun music. She began making annual pilgrimages to southwest Louisiana, receiving an NEA Fellowship in 1980 to apprentice with Master Cajun Musician, Dewey Balfa; she also studied with Cajun fiddle legends Dennis McGee, Cheese Read and Wade Fruge. The 1980s saw Suzy touring and recording with the Blue Flame Stringband and the Backwoods Band, multiple appearances on the Prairie Home Companion radio show, and touring throughout the U.S. and in Europe.
In 1983, Suzy formed the California Cajun Orchestra, featuring Louisiana-born accordionist Danny Poullard. The CCO's debut album, on Arhoolie, was awarded the prestigious Prix Dehors De Nous by the Louisiana French Music Association; their follow-up CD won a NAIRD Indie for “Best Cajun-Zydeco Album of the Year.” Suzy has performed with many of Louisiana's finest Cajun musicians, including D.L. Menard, Beausoleil, Michael Doucet, Dewey Balfa, and Marc and Ann Savoy. She appears in Les Blank's film on Cajun and Zydeco music, J'ai Ete Au Bal.
Suzy's vast repertoire of quirky old-time country tunes and songs was learned from rare field recordings and old 78s, as well as directly from master oldtime fiddlers such as Earl Collins, and she is particularly adept at the ragtime and blues-influenced playing of hillbilly musicians of the 1920's and 30's, such as the East Texas Serenaders, Fiddlin' Arthur Smith, Doc Roberts, and others of that ilk. Suzy's passion for old-time music caused her to start the Berkeley Old Time Music Convention in 2003; it has grown into a five-day celebration attended by oldtime musicians who travel from all over the U.S. to join in the fun! In 2020, the BOTMC took place online. It's still not clear whether the 2021 BOTMC will be in-person, online, or a hybrid.
From 2011-2016, Suzy served as Artistic Director of the Festival of American Fiddle Tunes, a week-long workshop and festival in Port Townsend, WA, the biggest, oldest and most mind-blowingest fiddle festival of them all! In this capacity, she had the opportunity to work with tradition-bearers from all over North America and beyond. Three of her achievements as Fiddle Tunes AD were: 1) a renewed focus on older generation tradition bearers; 2) incorporating bluegrass into the fabric of the genres represented at Fiddle Tunes and 3) moving closer to gender parity by reaching out to women tradition-bearers.
In 1994, Suzy represented the U.S. on a Masters of the Folk Violin Tour in Scotland and England. In addition to performing, she has been an instructor (mainly of fiddle, but also guitar and singing) at many festivals and music camps, including Centrum’s Country Blues Week, Menucha's Blues in the Gorge, Grand Targhee Music Camp, Augusta Heritage Cajun-Creole and Old Time Weeks, Montana Fiddle Camp, Fiddlekids, Californa Bluegrass Association Music Camp, Port Townsend Festival of American Fiddle Tunes, Walker Creek Music Camp, California Coast Music Camp, Puget Sound Guitar Workshop, and Lark In the Morning.
PARTIAL DISCOGRAPHY
Suzy currently records and performs in a duet with her longtime musical partner, reknowned flatpicker Eric Thompson, with Thompsonia (Suzy, Eric and Allegra Thompson), with the Aux Cajunals (a Cajun band), in an occasional duet with resonator guitar goddess Del Rey, and with Eric in the Todalo Shakers. She often collaborates with other musicians including Mary Flower; Jim Kweskin; Craig Ventresco and Meredith Axelrod; and Geoff Muldaur.
Suzy discovered the music of Bessie Smith, Sippie Wallace, Memphis Minnie, Victoria Spivey, and other classic blues moaners in the winter of 1975, when a friend of a friend of a friend stored his LP collection in her room. She began learning and performing some of this early blues material, accompanying herself on the guitar. The next year, she formed the Any Old Time String Band, an all-woman quintet with a repertoire that included classic blues, oldtime country music, and Cajun music.
In 1976, Suzy's life was changed when she saw the Balfa Brothers perform their traditional Cajun music. She began making annual pilgrimages to southwest Louisiana, receiving an NEA Fellowship in 1980 to apprentice with Master Cajun Musician, Dewey Balfa; she also studied with Cajun fiddle legends Dennis McGee, Cheese Read and Wade Fruge. The 1980s saw Suzy touring and recording with the Blue Flame Stringband and the Backwoods Band, multiple appearances on the Prairie Home Companion radio show, and touring throughout the U.S. and in Europe.
In 1983, Suzy formed the California Cajun Orchestra, featuring Louisiana-born accordionist Danny Poullard. The CCO's debut album, on Arhoolie, was awarded the prestigious Prix Dehors De Nous by the Louisiana French Music Association; their follow-up CD won a NAIRD Indie for “Best Cajun-Zydeco Album of the Year.” Suzy has performed with many of Louisiana's finest Cajun musicians, including D.L. Menard, Beausoleil, Michael Doucet, Dewey Balfa, and Marc and Ann Savoy. She appears in Les Blank's film on Cajun and Zydeco music, J'ai Ete Au Bal.
Suzy's vast repertoire of quirky old-time country tunes and songs was learned from rare field recordings and old 78s, as well as directly from master oldtime fiddlers such as Earl Collins, and she is particularly adept at the ragtime and blues-influenced playing of hillbilly musicians of the 1920's and 30's, such as the East Texas Serenaders, Fiddlin' Arthur Smith, Doc Roberts, and others of that ilk. Suzy's passion for old-time music caused her to start the Berkeley Old Time Music Convention in 2003; it has grown into a five-day celebration attended by oldtime musicians who travel from all over the U.S. to join in the fun! In 2020, the BOTMC took place online. It's still not clear whether the 2021 BOTMC will be in-person, online, or a hybrid.
From 2011-2016, Suzy served as Artistic Director of the Festival of American Fiddle Tunes, a week-long workshop and festival in Port Townsend, WA, the biggest, oldest and most mind-blowingest fiddle festival of them all! In this capacity, she had the opportunity to work with tradition-bearers from all over North America and beyond. Three of her achievements as Fiddle Tunes AD were: 1) a renewed focus on older generation tradition bearers; 2) incorporating bluegrass into the fabric of the genres represented at Fiddle Tunes and 3) moving closer to gender parity by reaching out to women tradition-bearers.
In 1994, Suzy represented the U.S. on a Masters of the Folk Violin Tour in Scotland and England. In addition to performing, she has been an instructor (mainly of fiddle, but also guitar and singing) at many festivals and music camps, including Centrum’s Country Blues Week, Menucha's Blues in the Gorge, Grand Targhee Music Camp, Augusta Heritage Cajun-Creole and Old Time Weeks, Montana Fiddle Camp, Fiddlekids, Californa Bluegrass Association Music Camp, Port Townsend Festival of American Fiddle Tunes, Walker Creek Music Camp, California Coast Music Camp, Puget Sound Guitar Workshop, and Lark In the Morning.
PARTIAL DISCOGRAPHY
- Suzy Sings Siebel, Suzy Thompson (Herringbone Disc)
- Rock Away My Blues, Todalo Shakers (Todalo Records)
- Nothing But Rain, Thompsonia (Herringbone Disc)
- Communiqué, Suzy Thompson and Del Rey (Hobemian Records)
- Thompsonia, Eric, Suzy and Allegra Thompson (Herringbone Disc)
- Retro, Suzy Thompson (Herringbone Disc)
- Tickled Too, Todalo Shakers (Todalo Records)
- Texas Sheiks, Geoff Muldaur and the Texas Sheiks (Tradition and Moderne)
- Hen Party, Suzy Thompson and Del Rey (Hobemian Records)
- Dream Shadows, Suzy and Eric Thompson (Herringbone Disc)
- Stop and Listen, Suzy Thompson (Arhoolie)
- No Mockingbird, Suzy Thompson (Native & Fine Records)
- Old As Dirt, Bluegrass Intentions (Native & Fine Records)
- Fourth Street Messaround, Todalo Shakers (Todalo Records)
- Nonc Adam Twostep, California Cajun Orchestra (Arhoolie) Indie Award winner
- Not Lonesome Anymore, California Cajun Orchestra (Arhoolie) Prix Dehors De Nous winner
- Adam & Eve Had the Blues, Eric & Suzy Thompson (Arhoolie)
- Blue Flame Stringband (Flying Fish)
- Streets of Gold, Klezmorim (Arhoolie)
- I Bid You Good Night, Any Old Time (Arhoolie)
- Various compilations, including the Grammy-winning Journey of Chris Strachwitz (Arhoolie) and the Grammy-nominated They All Played For Us (Arhoolie)
- Session work on albums by Jim Kweskin & Geoff Muldaur, Maria Muldaur, Dave Alvin, Darol Anger, Kate Brislin & Jody Stecher, Alice Gerrard, Laurie Lewis, Mary Flower, Kathy Kallick, Alan Senauke, Del Rey, and many others.